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        Weaving Stories of Hope  
          
        India's 
        vast cultural diversity is most comm only reflected through its peoples' 
        languages, their clothes and the food they consume. Each geographical 
        divide of the nation is marked with a certain culture and tradition. 
        Every zone is capacitated with distinguished flavours and attires, along 
        with discernable seasonal and climatic differences. These dominant 
        climatic conditions in every zone have influenced the lifestyle of its 
        habitants. There lies wealth of craftsmanship striving in these 
        geographies. 
        The handicraft and 
        handloom sector in India is a ₹24,300-crore industry and contributes 
        nearly ₹10,000 crore annually in export earnings. The 12th Five 
        Year Plan had projected it would become the largest non-farm sector in 
        rural India, swelling its workforce by 10 per cent, doubling the output 
        and exp orting 
        18 per cent more during 2012-17. 
        Sadly, the handloom 
        sector despite being the second largest employment provider is facing 
        severe problems because of poor market reach of its products and stiff 
        competition from the power loom sector. The weaver communities now are 
        forced to look for other means of livelihoods. Most affected by these 
        trends are the women weavers. The role of women in the weaving process 
        is quite critical but neither are they given that recognition, nor good 
        remuneration. 
        
        Kalapuram – Revival of Craft  
        Within the central 
        Indian state of Madhya Pradesh, a state popularly known for its rich 
        background in handloom weaving, there exists a village in Datia district 
        named Kalapuram. It was once the centre of textile business for the 
        Khadi Gramodyog's project in the Bhopal region. In the absence of 
        opportunities, the weavers were forced to adopt occupations like masonry 
        and bidi making. Largely it is the women who are engaged in bidi making 
        which is not only environmentally hazardous but also hazardous for their 
        own health. On the other hand, the male counterparts are either engaged 
        in masonry work locally or have migrated out.  
        Bundelkhand always had 
        a rich heritage of natural fibres. However with rapid population growth, 
        undulating topography and uncertain climatic conditions these resources 
        are now on the verge of depletion. The silver lining in the dark cloud 
        is that with the existence of natural fibres like Sunn, Amari and 
        Dhaincha and the existence of an artisan base, there is potential to 
        revive the fibre chain in Bundelkhand region. 
        Taking forward the 
        larger goal of providing market access to rural poor through technology 
        based livelihoods, a range of handcrafted products were incubated at the 
        Delhi Design Centre via TARA Looms. These products are generated by 
        integrating Recycled Polyethylene Terephthalate [PET] Yarns - made from 
        bottles which are collected, sorted by hand and then melted down and 
        formed into chips which are then sent to the yarn spinning mills, where 
        they are melted down and spun into yarn with natural yarns to be woven 
        or knitted into 100% eco-friendly fabrics, suitable for garments. Having 
        these products market tested via TARAgram – an aggregation platform, 
        they are now being piloted at the resource centre. 
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        Anushakti Tayadeatayade@devalt.org
   
        
        
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