Chasing the Monsoon : an odyssey
Aparajita Gogoi
The
seed to makeafilm on the vagaries of the Monsoon
germinated in the communication unit. Butalongwith came the
realization of the enormity of the project. It is not easy to
chase a phenomenon like the monsoon, known for its unpredictability
and its wild run through the country. In his book, Chasing the
Monsoon, Alexander Frater details the hardship he was subjected
to during the chase. And here we were, dreaming to do the same with
camera and crew!
The
proposal posted in late May 1996 came through in early July. Well,
there were people who would help us to carry forth our
dream. We got some funds from TVE, London, and NOVIB, and with
inputs from our organisation, we embarked on our chase.
The
day the green signal was received, the crew, already assembled and
kept on hold, swung into action and we clambered on to the first
available flight to Assam, a state already reeling under the havoc
created by flood waters-courtesy the 'generous' monsoon.
On
landing in Guwahati, we were greeted by a gloomy and cloudy sky.
"Bad light", murmured the cameraman. I nodded in the affirmative but
it did not worry me. Being from the region, I knew that the
clouds could dissipate in seconds and give way to bright sunlight.
The
first day was hectic. We set forth gathering information. "Where are
the floods?" "Everywhere" we were told. But most of the flood
affected areas were not accessible. The rivers were in spate and, in
the path of destruction, had swept away many roads and portions of
railway tracks.
On the
second day, we set forth to capture the floods on film. When we
reached the boundaries of an officially declared flood ravaged
district, we stopped at a crossroads and asked the people where
the floods were. They told us that if we drive down any of these
roads, we would reach a point where the road had been torn apart by
the angry torrents of water.
At the
end of the 'PWD' road, we were confronted by a vast expanse of
roaring water and massive devastation. The surging waters were
flowing unceasingly. We could see doors of houses, roofs, parts of
furniture and other belongings being swept away. We switched on the
camera, the crew now sad and morose at the sight of such
destruction.
The
villagers told us that what we were shooting was not a river.
Underneath the waters lay their precious fields with crops. This
year, the floods decided to breach the embankment and turn the
village of Dhantola into a river bed.
The
rest of the villagers were staying at a school improvised as a
relief camp. We waded in waist deep water with the equipment firmly
lodged on our shoulders for several kilometres. Finally we arrived
at the relief camp, wet and hungry. But our discomfort vanished
when we met the people rendered homeless by the flood. Bereft of
their homes and hearth, these people were still optimistic, waiting
for the flood waters to recede so that they could go back to their
land and rebuild their life.
We
spoke to them and interviewed them on camera about whether this
particular disaster could have been averted. Most of them were of
the opinion that it was the weakness of the embankments which caused
the disaster. It set us thinking about how an embankment, said to be
a flood management mechanism, was actually responsible for a flash
flood. Despite their heart-rending, miserable state, the villagers
had not forsaken their traditional Assamese hospitality. They
insisted on cooking part of their relief rations and feeding us. We
left the camp, awed by the stoicism of the people and their
tremendous will to survive, and also a little guilty at
devouring part of their meagre rations.
Back
in Guwahati, the family grapevine informed me of something amazing.
Wonder of wonders! While' floods devastated a major part of Assam,
there were other areas which had not received any rain at all! The
farming community of one particularly dry area, terrified at the
prospect of no rains, were organising a unique function. A chosen
frog couple was being joined in holy mauimony! All this to seek the
blessing of the rain-god Indra!
We
picked up our equipment and went to record this unique ceremony,
complete with a baraat and wedding songs. We also captured on
camera the attempt by the bridegroom to run away but caught and
brought back'. The final of the ceremony was of course the feastof
which we partook generous portions.
Unfortunately, we could not find out whether the rain-god showered
his blessings or not, because we had to leave for Cherrapunjee the
next day. Cherrapunjee, which till a few years back received the
world's highest rainfall is today called a wet desert. We
wanted to find out what had gone wrong with Cherra.
On
reaching Cherrapunjee, the crew went into a trance, marvelling at
the scenic beauty, the greenery, the people and the slow and happy
pace of life. And, of course, the much talked about low lying
clouds. Keeping in mind that sunset hits Cherra-pretty early, we
then rushed around shooting. We interviewed local people, asked them
their views about what caused the monsoon td shift favours and why
Cherra is now famous as a 'wet desert'. During the dry winter
months, Cherra is water starved, despite the generous bestowal of
rains during the monsoon.
We
witnessed the widespread felling of trees, the open-cast coal mining
and other industrial operations which could cause environmental
degradation.
Our
research into the importance of monsoon rains for agriculture
revealed to us the vitality of water harvesting. Therefore our next
schedule took us to Central India. We visited Datia in Madhya
Pradesh where people are reviving traditional practices of water
harvesting. In and around Jhansi we spoke to farmers who have
benefited from the adoption of water harvesting structures like
checkdams. We learnt from them how vital the timeliness and quantity
of monsoon rains are to our food growers.
Back
in Delhi, with our treasured horde of tapes, we started hammering
out a film. We wanted to establish the importance of the monsoon
rains and how the storing of this rain could be beneficial for our
farmers. We put forth case studies of places which had failed to
benefit from the bounty of the monsoon and of other places which
bloom due to water harvesting.
The
film is our homage to the monsoon rains, till date the main stay of
our rain fed agriculture; our empathy for the flood affected people
and our appreciation for those who have successfully harvested the
monsoon rain.
Now
its winter time and the harvesting has started. One cannot help but
wonder what those people in Dhantola are harvesting. We only hope
that their will to survive has helped them start life anew.
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